Home » From Black to My Name is Khan, 10 Movies That Reflected Bollywood Directors Changing Their Style from Their Usual Brand of Cinema (LatestLY Exclusive)
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From Black to My Name is Khan, 10 Movies That Reflected Bollywood Directors Changing Their Style from Their Usual Brand of Cinema (LatestLY Exclusive)

Brand is quite important when it comes to actors and filmmakers. Like, you know that Salman Khan is associated with mass entertainers, Rajkumar Hirani with light-hearted social entertainers and Farah Khan for masala potboilers. Sanjay Leela Bhansali is known for making larger-than-life canvasses that lend for great visual aesthetics, though he is also recently associated with period dramas. Sanjay Leela Bhansali Birthday Special: 7 Songs From The Filmmaker’s Movies That Are Visual Extravaganzas.

Not every actor or filmmaker follows any brand image. There are directors who never stick to a particular genre, format of storytelling or visual schematics. Like for example, when Akhtar used to be a director, he started off with a coming of age friendship saga in Dil Chahta Hai to end up making an action-heist-thriller in Don 2.

And there are times when a filmmaker, known for a particular brand of cinema, changes his or her and leaves us surprised. The ‘experiment’ may not always work, but there could be for the director to move out of the comfort zone, and away from the success formula that favoured at the box office. In this special feature, we look at 10 such Bollywood directors who veered away from their usual formula, and how those ‘experiments’ were received by the critics and the audience.

Sanjay Leela Bhansali

Amitabh Bachchan and Rani Mukerji in Black

Movie: Black

Bhansali was and is still known for his larger-than-life films, save for his restrained, still his best work, debut in Khamoshi: The Musical. The director is also known for his musicals, so it came as a surprise to many when he made the very contained drama, starring Rani Mukerji and Amitabh Bachchan, without any songs. Black went on to receive from the critics, and also performed decently at the box office.

Karan Johar

Shah Rukh Khan and Kajol in My Name is Khan

Movie: My Name is Khan

Speaking of larger-than-life, how can we miss out on Karan Johar? So it came as a surprise to many that KJo, in his third film, ditched First World problems to address bigotry and racism faced by Muslims in a post 9/11 America. We wonder if he can do a encore in the present times, though, with a similar film set in India.

Abbas-Mustan

Poster of Chori Chori Chupke Chupke featuring Rani, Salman and Preity

Movie: Chori Chori Chupke Chupke

The sibling filmmaker duo is famous for their (unofficially adapted) pulp thrillers. So it came shocking for us when they made a film that had not a single kill in this family drama/love triangle featuring Salman Khan, Preity Zinta and Rani Mukerji. Interestingly, the offscreen brouhaha surrounding the film – allegations of being financed by underworld – made for a typical Abbas-Mustan thriller. What say?

Priyadarshan

Poster of Kyon Ki featuring Salman Khan and Kareena Kapoor

Movie: Kyon Ki

A pre-Hera Pheri Priyadarshan was known for making dramas like Gardish, Virasat and Doli Sajake Rakhna. Post Hera Pheri‘s success, followed by successive hits in Hulchul and Hungama, Priyadarshan became this King of Comedy. So when he returned to drama with Kyon Ki (another Salman misfire in this list), the audiences weren’t ready for this turn. It also didn’t helped that Kyon Ki came out on the same day as Garam Masala, a comedy also directed by Priyadarshan. From Hera Pheri to Garam Masala, 7 Best Priyadarshan Comedies in Bollywood, Ranked!

Anurag Kashyap

A Still from Return of Hanuman

Movie: Return of Hanuman

Who would expect that director, known for his gritty thrillers like Black Friday, Ugly and Gangs of Wasseypur, would make a film that was aimed towards kids? That too, animated! Return of Hanuman was the sequel to the 2005 film Hanuman and was a film with a message. It wasn’t a great draw at the box office, but Kashyap’s attempt to do something different didn’t go unnoticed.

Subhash Ghai

A Poster of Black & White feat. Anurag Sinha and Anil Kapoor

Movie: Black & White

In his prime, Subhash Ghai was a filmmaker known for his multi-starrer masala potboilers like Ram Lakhan, Khalnayak and PardesBlack & White was a quieter film, starring Anil Kapoor in the lead, in comparison when it came to his filmography, that many still forget is a Ghai movie. While Black & White scored decent reviews, it didn’t do much of an impression at the box office.

Remo D’Souza

Saqib Saleem, Salman Khan and Daisy Shah in Race 3

MovieRace 3

The former choreographer-turned-director is known for making elaborate dance sequences sticking together in the name of cinema. While he did make A Flying Jatt, a superhero film starring Tiger Shroff, Remo isn’t the first person you think would take over from Abbas-Mustan to direct Race 3, that too directing Salman Khan, a superstar not exactly known for smooth dance moves. Rest is history that is as bad as the lyrics of “Selfish“! Radhe, Race 3 and More – 7 Worst-Rated Movies Featuring Salman Khan As the Lead on IMDb.

Prakash Jha

Poster of Dil Kya Kare feat. Mahima Chaudhry, Ajay Devgn and Kajol

Movie: Dil Kya Kare/Rahul

Prakash Jha is a filmmaker known for making hard-hitting social dramas like Mrityudand, Gangaajal, Apaharan, Raajneeti among others. However, the years 1998 and 2001 proved to be a surprise for followers of his work, when he made Dil Kya Kare and Rahul respectively. Dil Kya Kare was a love triangle cum marital drama starring Ajay Devgn, Kajol and Mahima Chaudhry. Rahul was a family drama partly inspired by Kramer vs Kramer. Both movies tanked at the box office, and Jha returned to his favourite genre.

Madhur Bhandarkar

Poster of Aan: Men at Work feat Paresh Rawal, Shatrughan Sinha, Akshay Kumar and Suniel Shetty

Movie: Aan: Men at Work

Thanks to his breakout success making Chandni Bar, Madhur Bhandarkar made a name as a filmmaker known for exposing society’s ugly side through his films without the need of working with box office-drawing superstars. Films like Satta, Traffic Signal, Corporate, Page 3 et al maintained that image. And then there was that odd aberration in Aan: Men at Work, a masala cop thriller featuring an ensemble cast of popular stars like Akshay Kumar, Shatrughan Sinha, Dutta, Raveena Tandon, Suniel Shetty, Irrfan Khan, Paresh Rawal among others. The movie, however, was a flop. Bhandarkar later tried to make a slice of life comedy with Dil Toh Baccha Hai Ji, with Ajay Devgn and Emraan Hashmi. Interestingly, the director began his innings with a potboiler in Trishakti, starring Arshad Warsi and Sharad Kapoor.

Ram Gopal Varma

Aamir Khan and Urmila in Rangeela

Movie: Rangeela

Once upon a time a director to reckon with, Ram Gopal Varma produced several stunners, most of them thrillers. Thanks to films like Shiva, Satya, Company, he was also known for making slick gangster dramas. In between came a surprise in Rangeela, a love letter to Bollywood that also reinvented Urmila Matondkar as a sex symbol of the ’90s. Rangeela remains one of RGV’s best works, with Hindi fans of AR Rahman thankful for bringing the composer to Bollywood. while Aamir Khan’s Munna is one of his best characters. RGV later tried again to deviate from his favourite genre with Mast, a musical romcom starring Urmila and Aftab Shivdasani, but the movie failed to impress either the critics or the audience.

(The above story first appeared on Reporter Door on Aug 03, 2021 07:59 PM IST. For more news and updates on politics, world, sports, entertainment and lifestyle, log on to our website reporterdoor.com).

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